Commonwealth Choir, The Tins, The Dawn Drapes

Commonwealth Choir

The Tins

The Dawn Drapes

Sat, June 30, 2018

8:00 pm

$10.00

This event is 21 and over

Commonwealth Choir
Commonwealth Choir
Golden age indie rock from Doylestown, Pa. Blending towering harmonies over​ 60's garage rock & 90's alternative, their live intensity carves a path for understated pop appeal & driving rhythms. Now primarily based in Philadelphia, they've been gearing up for several 2018 releases.
The Tins
With influences ranging from The Kinks and Badfinger to Animal Collective and Peter Bjorn and John, Buffalo, New York three-piece The Tins craft tight, masterfully layered songs that PopMatters calls "all the right sounds and all the right feelings." Their new EP, Young Blame, shows the band's evolution while continuing along the successful path they forged with Life's a Gas, their 2012 full-length LP. Young Blame explores themes of movement, says the band: "moving forward, moving on, moving into the unknown, regardless of the consequences."


Commended by Performer Magazine for their "jubilant harmonies, keyboard flourishes and relentless hook-filled rhythms," The Tins have come far since their early days in an underground practice space at New York State's Binghamton University.


Life after graduation found keyboard player and vocalist Michael Santillo, drummer David Muntner, and guitarist and vocalist Adam Putzer tight on funds, and The Tins decided to move into a small loft above Mike Santillo, Sr.'s trucking company — a space the band has called an "unlivable hellhole," replete with dead birds, dead mice, moldy walls, rusty pipes, and an all-encompassing inch-thick layer of dust. Determined to see their plan through, The Tins put a music career on hold and spent months gutting and fully renovating the loft, living in the Santillos' living room for the duration. The arduous experience cemented the friends' bond.


The trio's hard work paid off — they now reside in a custom rehearsal studio and loft where they spend their time writing music. The Tins rehearse as loud and as often as they like — provided it's after 5 p.m. and the trucking company below is closed. When not writing and rehearsing, the band likes to step out and enjoy the warmth and friendliness of Buffalo's small-community vibe, and is supportive of the new music that comes from the Western New York city's thriving arts community.


The Tins put out an eponymous EP in April of 2010, a work the NME called "extraordinarily moving." Magnet lamented The Tins' brevity: "We understand that brand-new bands usually have very little material to offer at first, but for bands like The Tins, five tracks just aren't enough." Entrepreneur and Napster co-founder Sean Parker discovered the EP's standout track, "The Green Room," and made it a staple of his Hipster International Playlist on Spotify.


In 2012, the band recorded their debut full-length release, Life's a Gas, with Modest Mouse producer Joe Blaney at the helm. Life's a Gas melded flecks of art rock, new wave, and post-punk with massively catchy alternative rock foundations. An impressed Paste noted that The Tins "give off an experienced confidence years beyond what their still small catalog suggests." The success of Life's a Gas enabled The Tins to showcase their wares beside many notable acts at SXSW and NXNE.


Each member holds a unique, idiosyncratic role in the band, and The Tins are a true democracy; everyone is a songwriter and multi-instrumentalist in his own right, and all Tins tracks are fully collaborative creations. One of the three members will present a song, then the other two will "dissect and mutilate" it before the band builds it back up as a trio, "reinvigorating and re-energizing the song so it can reach new heights."


Returning to self-production for their latest EP, Young Blame, The Tins keep broadening their musical horizons. Drummer Muntner explains: "Young Blame takes what we have learned from our earlier recordings and refines the best parts, putting a greater emphasis on the vocals, the interplay between band members, the combination of electronic and organic elements, and the dynamics throughout each song." From the anthemic indie rock of "Let It Go" to the baroque chamber pop of "Sylvia, Before the End," the group covers a lot of ground in a short time span. New York-based music blog We All Want Someone to Shout For believes The Tins are "destined for greatness. They reach back to rock and roll origins, and deliver the goods: soulful guitar riffs and enchanting keyboard playing."
The Dawn Drapes
The Dawn Drapes
The Dawn Drapes is an alternative indie rock trio that formed in early 2011 as the brain child of songwriters Michael Sanzo and Daniel Rice. Early on the group played folk inspired rock and roll with a hint of avant garde. Over the next few months the group gained experience by playing with a rotating group of musicians that brought influences from many different genres, further expanding the music palette of The Dawn Drapes. In May of 2011 the group recorded their first full length self-titled and self-recorded album, during which their sound began to move away from the folk rock genre hinting that something truly unique was on the horizon. In 2012 singer / drummer Greg "Eggy" Gorman joined the band to round out The Dawn Drapes sound. The heavy hitting, yet well thought out drumming style of Eggy, along with his ability to harmonize perfectly with the rest of the group finally completed the band's sound which has influences ranging from Nirvana to Fleetwood Mac. Since then the band has been playing extensively from Washington DC to Southern VA all the while honing their craft and pushing their musical boundaries.
Venue Information:
Ortlieb's
847 N Third Street
Philadelphia, PA, 19123
http://www.ortliebsphilly.com/